Silky Smooth Penis Skin – How to Keep Penis Skin Smooth and Supple to Increase Sexual Pleasure

Silky smooth penis skin is just so touchable and luxuriant, especially to anyone lucky enough to enjoy this lovely tactile experience. It also means that the penis skin is healthy and cared for, and when skin of the penis is in optimal condition, it is invigorated and more sensitive and receptive to stimulation. This, of course, leads to better sex and improves sexual function.

Ignoring Penis Skin Can Lead to Problems

There are many problems associated with ignoring the skin of the penis. These include:

Penis skin that is not cared for can become dry and scaly – This is unsightly and does not encourage sexual activity. In fact, it can be a real turn-off for your partner, and may even reduce sexual confidence.

Penis skin can become desensitized – If the skin of the penis is not cared for then it can become hardened and not as receptive to the touch. This means that sexual excitement can be reduced during foreplay and sexual intercourse, which can reduce the intensity of climax and overall sexual satisfaction.

Penis skin is a protective barrier – Healthy skin of the penis protects the human body from infection and illness as it forms a protective barrier between major organs and the outside world. With cracked or broken skin of the penis it is possible, during sexual intercourse and masturbation, to have harmful bacteria enter the body and create illness.

Penis skin is an insulator – When the skin of the penis is in optimal condition it maintains the temperature of the penis. This, of course, prevents the penis from feeling the cold more than it should, which means that its size and functionality is maintained.

What Does Silky Smooth Penis Skin Mean to You and Your Partner?

With healthy penis skin comes more pleasure. The skin of the penis has an improved sensitivity and this then creates a more dynamic sex life. Plus, it is enjoyable to touch, which will increase the longevity of foreplay and the likelihood of fellatio, if this is what you and your partner enjoy. It may also encourage your partner to be more adventurous, and experiment in the bedroom, taking their time to stroke, fondle and tickle your penis, further heightening your climax.

Better Sex with Better Penis Skin

A satisfying sex life leads to happiness and contentment, but with healthy penis skin often a new found confidence is gained. Not only does the penis look good, but it feels great. This may then lead to more sex and a possible increase in sexual enjoyment, especially, if previously, the owner of the penis felt self-conscious of the condition of their skin.

How to Get Smooth Silky Penis Skin

The best way to improve the health of your penis skin is as follows:

Eat a balanced diet that includes mono-saturated fats – This is a healthy fat that prevents your skin from becoming dry and flaky. Some great sources of this are olive oil, nuts, and mackerel, as well as herring, tomatoes, avocado, and egg yolk.

Use a natural cleansing product – Avoid dyed and perfumed skin cleansing products for cleansing the penis, instead use natural cleansers such as, goat milk or olive oil soap.

Don’t exfoliate – Some areas of the skin are more sensitive than others. So, while it is okay to exfoliate say the legs, arms, and torso, it is not recommended that the skin of the penis be treated in the same manner. Exfoliating this area of the body will decrease sensitivity and could possibly lead to the hardening of the skin. This, in turn, will lessen sexual excitement and pleasure, and may even reduce sexual function.

Apply a penis specific moisturizer daily – Use a penis specific creme daily (health professionals often recommend Man1 Man Oil) which is rich in essential vitamins and minerals. Products such as this are said to increase penis skin elasticity and sensitivity, as well appearance, and can improve sexual function and pleasure.



Source by John Dugan

Potential Replacements for Rare Earths – Tomoyuki OGAWA, Tohoku University



Iron Nitride Interstitial Compound: New Candidate for Permanent Magnetic Material with Rare Earth Element Less/Free
Tomoyuki OGAWA, Tohoku University

1. Introduction
To realize this more ideal social infrastructure in various IT and also power devices, necessity issue is to develop a new ecological system applying a highly potentialized material newly developed. Surprisingly, nearly half of total electric power, especially in Japan, has been wasted by the motor drive application, therefore, the construction of new motor system with low power consumption should be one of the key urgent issues. For current high performance motors, Nd-Fe-B permanent magnet is commonly used. In order for more powerful and torque full motor accompanying with down sizing in the future, not only high coercivity, Hc, but also higher saturation magnetic flux density, Bs, should be indispensable. From scientific view point, in currently used Nd2Fe14B magnet, the magnetocrystalline anisotropy of this phase is still enough to show high Hc. However, we cannot expect the high magnetization, Ms, 168 emu/g. That means, we cannot expect higher increment of energy product, (BH)max,~ 64 MGOe in this compound. That is the theoretical limit for (BH)max in Nd2Fe14B magnet. While from a mineral resources view point, rare earth elements such as Nd, Dy, Sm and etc. commonly used for permanent magnet industry exist in highly deviated regions in the world, therefore, the mineral resources problem in the world wide scale become much more serious for the rare earth elements, especially for Dy.

In this study, we will focus on an ”-Fe16N2 iron nitride metastable phase with b.c.t structure as a new candidate for the futured permanent magnetic material with rare earth element free. This unique ”-Fe16N2 phase was firstly announced by M. Takahashi et al. in ‘72 as a thin film form with giant saturation magnetization about 290 emu/g1. After that, so many groups also including first reporter’s group have been devoted to synthesize this phase for a couple of decade, resulting in from 240 emu/g to 315 emu/g2-5. Thus, poor reproducibility of the giant saturation magnetization had been so-called “magic moment”. Concerning for this physical ambiguity, magnitude of Ms, one of the present authors, M. Takahashi (junior) has already pointed out in his review article2 and also clarified the magnitude of magnetocrystalline anisotropy constant, Ku, of this phase was 1 x 107 erg/cm3.6 From this view, this compound is hopeful for futured magnetic material with rare earth free.

2. Results and Discussion
Gram scale of single phase ”-Fe16N2 nanoparticle powder from several tens to several hundreds nm in size could be successfully synthesized with extra high reproducibility via our uniquely developed multi-step procedures using home made iron oxide nanoparticle powder as a precursor. Thus synthesized ”-Fe16N2 nanoparticle powder shows 234 emu/g of saturation magnetization at 5 K and 8.7 x 106 erg/cm3 of magnetocrystalline anisotropy energy constant, whose values are superior to those of bulk pure iron and comparable to those of ”-Fe16N2 sputtered thin film reported by one of the present authors2,6. X-ray diffraction and Mossbauer spectra revealed the perfect formation of the single phase ”-Fe16N2. These results could open a new way of a bulk formation of non-equilibrium metastable interstitial iron nitride
phase and will be utilized for the new permanent magnet material.

Acknowledgment
We would gratefully thank to Prof. M. Takahashi(Tohoku Univ.), Prof. M. Doi (Tohoku Univ.), Dr. Y. Ogata (Tohoku Univ.), Prof. M. Takano (Kyoto Univ.), Assistant Prof. S. Yamamoto (Kyoto Univ.), Assistant Prof. N. Hayashi (Kyoto Univ.), Associate Prof. Y. Kusano (Kurashiki Univ. of Sci. and the Arts), Dr. N. Kobayashi (TODA Kogyo Corporation), Dr. P. R. Gallage (TODA Kogyo Corporation), Dr. K. Kohara (TODA Kogyo Corporation) for helping sample preparation, structural analysis and magnetic characterization. This work is supported by Research and Development of Alternative New Permanent Magnetic Materials to Nd-Fe-B Magnets Project from NEDO of Japan and Grant-in-Aid for Scientific Research(S) (21226007) from JSPS of Japan.

References
[1] T. K. Kim and M. Takahashi, Appl. Phys. Lett. 20, 492 (1972).
[2] M. Takahashi and H. Shoji, J. Magn. Magn. Mater, 208, 145 (2000).
[3] M. Komuro, Y. Kozono, M. Hanazono, and Y. Sugita, J. Appl. Phys. 67, 5126 (1990).
[4] K. Nakajima, and S. Okamoto, Appl. Phys. Lett. 56, 92 (1990).
[5] N. Ji, L. F. Allard, E. Lara-Curzio and J.-P.Wang, Appl. Phys. Lett. 98, 092506 (2011).
[6] M. Takahashi, Y. Takahashi and H. Shoji, IEEE Trans. Magn. 37, 2179 (2001).

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Planting with Jewelyn: Abba Patio Mini Walk-in Greenhouse product review |Nov 2018| ILOVEJEWELYN



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HOMEWRECKA clip (GIRLSTORIES trilogy teaser # 2)

This is a 2nd film teaser clip from feature-film GIRLSTORIES, © 2012
Feature film to be released 2013.
Directed by Joey Huertas (aka Jane Public)

Starring Laura Killeen , http://www.youtube.com/watch?v=b9oaOHiKFoI

Film is closed captioned for the hearing impaired.

GIRLSTORIES is an experimental film and installation project written for museum gallery / installation art settings. The work integrates American Sign Language, donated manuscript diaries, lecture notes and personal facsimile papers into a narrative.

Shooting nonactors exclusively, Huertas (aka Jane Public) constructed his narrative with the rigor of Straub-Huilet, telegraphing expression through meticulous, non-identificatory speech and onscreen closed-captioned text with a highly stylized faux trilogy storyline of mental health pathologies, sound light and third-party dialogues of “consciousness.” (interpretations of a quasi-personal or collective identity).

CRITIC REVIEW EXCERPT:
The film, “HOMEWRECKA” is the final installation of this filmmaker’s trilogy aptly titled, “GIRLSTORIES.” It is a triumphant third film that encompasses many of the devices used in the prior films of this series such as disappearing, despair, relationships, chaos, depression and a physical identity crisis. On the surface this film portrays a male character that is being mentally and physically abused by an charming female (his girlfriend) who is a dangerously delusional and psychologically impaired. The female protagonist is trying to “figure herself out” while terrorizing hospitals and loved ones who cross her path. Although this third film is about a woman and is narrated by a woman, it seems to be expressed intentionally from a male’s gaze; it is interesting because we are accustomed that this sort of film would be told by a suitable neutral entity. This film holds a personal power that the other films lack by colliding humor against crisis, and making comedy more illuminating with a misanthropic self-deprecating narrative. The film introduces devices of dark humor such as weapons like Nerf guns (a product invented in the 80’s when the “after school special” was very prominent). In the 90’s the Nerf slogan was “it’s Nerf or nothin!” As product of violence the weapon is absurd since it cannot be physically harmful to any victim. The narration accompanies this absurdity by being delivered coldly by a narrator with a British accent which makes it sound like a PBS documentary or a story told on Court TV. This film “HOMEWRECKA” does not use any flashy experimental devices as the filmmaker’s previous films, which worked well for those films, but in this case the minimal use of visual technology brought the film back down to an earthly place, a place that contains more of a solid substance rather than a ghostly image. We have arrived from the spirit world like an Angel that is falling, then we pass through the middle “the point equally distant from the outer limits” and arrive back on solid moist dirty ground which is “HOMEWRECKA.” It is a departure, using one narrator without distorting the sound, including a typewriter that directly connects the creator to the creation which in a strange way manipulates the viewer into feeling that the filmmaker is not so detached from this piece which in turn brings the audience closer to the film itself. The film story (released also on Amazon.com as a published work) is narrated in a straight linear direction told like a doctor analyzing a patient, but instead of using a tape recorder for the sessions, images are employed in conjunction with well articulated words that ruthmically flow into each other like the wave of emotion that washes over us from the power of a beautiful poem. This wave is a tsunami.

Claire/Lynda performance: Laura Killeen
Ambient Sound Design: Joey Huertas
Sample Development: Joey Huertas
Score Coordinator: Joey Huertas
Music Preparation: Chris Ianuzzi
Additional Music: Joey Huertas
Music Composed by : Chris Ianuzzi
ASL American Sign Language translator: Saddia Khan
Special Fx: Anthony P
Release date 2013.
Print sample clip of GIRLSTORIES courtesy of Anthology Film Archives.

© 2012 Artists Rights Society (ARS).
Anti-piracy warning: Unauthorized copying is punishable under federal law.
Any unauthorized downloading or commercial use of materials is strictly prohibited.
Copyright © 2012 Jane Public Productions.
All rights reserved.

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Kim Erwin & Diane Fraley at IIT Design Research Conference 2010



Our world is flat, too: the paradigm shift of online research

When Thomas Friedman declared the world flat, in his seminal book by the same name, he summarized the dramatic shift in commerce and competition across the globe brought about by the Internet. This technology, he notes, puts nearly everything within reach of nearly everyone, and our global economy is now essentially free of geographic restraints—it’s a level playing field. What’s to become of us of all, he asks?

We should be asking this, too. As with most professions, the Internet is reshaping the landscape of user research. This is happening on two levels: the business model of user research, and the practice model of user research.

On the business side, large online research houses are capturing a growing portion of research work, leveraging economies of scale and exclusive contracts designed to appeal to the finance people inside organizations.

On the practice side, research design has become a vastly more complex and interesting proposition. The Internet and digital media combine to form a powerful set of new data collection tools, while also giving us access to participants across geographies and time zones.

The new playing field dramatically expands what’s possible: Micro-blogging, asynchronous video, synchronous video, video diaries, remote activity monitoring—we can now do it all, all at once. As researchers, we can be everywhere at the same time. We can instantly review data collected remotely. We can have intimate contact with participants while miles apart.

All of this challenges our research processes and logic—“web work” now joins “field work” to reshape the paradigm for bringing producers closer to their consumers. How do we leverage this new paradigm to enrich research design and the resulting data? How might we use “web work” to deliver against objectives in an increasingly time-constrained development environment? How does our new reach inform user research for strategy development—one of the bigger frontiers of practice.

In this talk, Diane Fraley and Kim Erwin will share a new approach that hybridizes “field work” and “web work.” Working with graduate students at the Institute of Design, Kim and Diane designed and executed the first phase of a multi-phase, exploratory project—integrating multiple online technologies to deliver a picture of how shopping behavior is rapidly shifting as early majorities adopt the Internet and smart phones to manage their homes.

BIOS

Kim Erwin is a visiting professor at the Institute of Design. For the past 15 years, she has been a practicing design planner specializing in the translation and communication of research insights into strategic direction. Working with clients like Allstate, Walmart, Purina and Church & Dwight most recently, she has watched the field of user research mature and expand from its early technology planning roots into the preferred consumer insight methodology across industries and organizations.

Kim’s passion is for the most information-intensive aspects of design practice—in particular the conversion of user research and secondary research into stories and frameworks that designers and business leaders can use as a basis for action.

She focuses on developing new data experience and presentation methods to help clients come into emotional, as well as intellectual, contact with important data.

She pays particular attention to the shift in preferences toward on-demand, time-effective, random-access information seeking and delivery to which we as a culture are habituating. How can communication design accelerate research uptake in organizations? How might it deepen the connection between clients and consumers? How might thoughtfully-crafted data experiences generate lasting empathy for consumers and purposeful action inside organizations? These are all areas where design practices are manifestly more effective than conventional business practices. Formalizing this as a new area of practice, and therefore study and development, is Kim’s enduring interest.

Diane Fraley is the founder and principal of D.S. Fraley Associates, a thriving marketing research firm based in Chicago since 1985. Diane is a proven qualitative research design expert who has custom-designed hundreds of studies for Fortune 100 clients. Over the years, Diane has worked with more than 35,000 consumers.

Diane’s specialty is in upfront exploratory and ethnography, delving deep into human emotions, thoughts and motivations to reveal unmet or emerging needs of a specific audience. From this understanding, Diane leads teams to create new ways of positioning, communicating and designing a product that will create market opportunities for a well-defined target.

Over the past thirty years, Diane’s work focused on traditional qualitative methods. She is now specializing in emerging methodologies, specifically online exploratory and ethnographic immersions. Diane has pioneered online extended-time methods working with hard-to-reach audiences as well as topics that require in-depth learning within a specialized topic, specific life stage or life cycle.

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